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连续剧V星入侵第一季

主演：Elizabeth Mitchell Joel Gretsch Laura Vandervoort Logan Huffman Lourdes Benedicto Morena Baccarin Morris Chestnut Scott Wolf

导演：伊维斯·西蒙尼奥

简介：　　ABC电视台09年秋季档新剧《V星入侵 V》翻拍自80年代的同名剧集，讲述了佯装友善的外星人入侵地球的故事。故事设定乍看起来颇为老套，但跟一般科幻剧相区别的是，剧中的外星人跟地球人并无二致。剧集表面上围绕着地球人和外星人展开，但其本质上依然是信任和背叛的人类社会命题。剧集由HDFilmes和华纳兄弟联合出品，由艾美奖获奖剧集《4400》制片人Scott Peters监制，首集Pilot由Yves Simoneau(4400)执导。出演《V星入侵》的演员有Elizabeth Mitchell(迷失Lost)、Morris Chestnut、Joel Gretsch(Taken、4400)、Lourdes Benedicto(The Nine)、Logan Huffman、Laura Vandervoort(Smallville)，还有Morena Baccarin(Firefly)以及Scott Wolf(The Nine)。　　故事开始于一天早上，人们醒来发现城市上空悬浮着巨大的外星飞船。而从飞船中出来的外星人表示对地球人并无恶意，是为追求和平而来，并赠送了超出人们想象的先进科技。但友好的外星人的有意显然没有表面上看起来这般简单。国土安全局特工Erica Evans（Elizabeth Mitchell）在追杀一起恐怖袭击的过程中，偶然发现了外星来客的真正目的。但当 Erica 四处奔走却惹来杀生之祸时才明白，真正的外星人早已经在不知不觉中渗入了人类社会的重要机构，也包括她供职的国土安全局，一时间敌友难辨。走投无路的她开始和“反外星人抵抗运动”组织暗中合作，并结识了抵抗运动的领袖 Jack Landry 神父(Joel Gretsch)和一个支持地球人的V星人Ryan。　　老版《V星入侵》曾在1983年和1984年上映，之后也陆续推出了相关的小说、动漫以及游戏产品。

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更新至第01集

连续剧行尸之惧：核潜艇第一季

主演：尼克·斯塔尔约翰·格洛弗 Jason·Francisco·Blue Garrett Graham Emmett Hunter Jay Gutierrez Ja'Quan Monroe-Henderson Austin Hyde John Franklin Alexander Biglane Damon Carney Jon Lee Zach Lazar Hoffman Calum Sharman A.J. Jones Marco Ramirez

导演：Kenneth·Requa

简介：　　《行尸之惧》衍生剧讲述核潜艇中爆发丧尸病毒的故事

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4.0

电影莱奥诺拉的告别

主演：法比齐奥·费拉卡尼马特奥·皮蒂鲁蒂 Dania Marino 多拉·贝克尔娜塔丽·拉布蒂·戈麦斯克劳迪奥·比加利罗贝托·埃利茨卡 Robert Steiner Luca Ghillino Simone Ciampi Biagio Barone Giuseppe Lo Piccolo Federico Tocci 杰西卡·皮科罗·瓦莱拉尼 Giuseppe Spata Giulio Pampiglione

导演：保罗·塔维亚尼

简介：　　Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caesar Must Die, once again uses cinema to give voice to literature and history.

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